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Whimsica Sardonica

by The Friends Of Norman Havelock

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    In a decade-spanning concept album, first released in 1970, Whimsica Sardonica charts the trials and tribulations of Norman's life and loves with a song from each year from 1960 - 1970. Using a dazzling array of styles, Norman's masterpiece reflects both the time itself and the internal tensions at play in a man who could be at once whimsically romantic, then cynically sardonic at the toss of a coin.
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1.
n/a
2.
Mesdames Messieurs, bon soir S’il vous plait, Venez dedans avec moi. Enchante. S’installez-vous la, ou comme vous voulez Je vous en prie Vous desirez quelquechose a boire? Allez dansez! Je te cherche de Pigalles a Montmartre Je me souviens les etoiles brillantes La Gare de Lyon A sept heures moins le quart Le train a quai onze, voie neuf A viens de partir Laisse-moi tomber, cherie Je t’en prie Vous desirez autrechose Allez, dansez! Je te cherche de Pigalles a Montmartre Je me souviens les etoiles brillantes A la prochaine messieurs ‘dames, a bientot a tous! J’espere qu’on a passer une bonne soiree avec nous. Laisse-le tomber, cherie Maintenant, C’est termine? Vous desirez autrechose, c’est vrai. Allez, dansez........ Allez dansez mon amour Allez dansez
3.
Anything and everything I care about I find in you and only you The earth and sky, the sun and moon My Twist & Shout You’re the one The only one I know you’d never let me down With the notices in I don’t care what they say Darling, it’s starting to show..... I wouldn’t change a thing about you I wouldn’t change a thing about you And anyone who’s ever loved would feel the same That much is true Forever blue You and I - it’s do or die, a burning flame I’ll find a way The only way I know you’d never let me down With the notices in, I don’t care what they say Darling, there’s one thing I know..... I wouldn’t change a thing about you I wouldn’t change a thing about you The piercing cry of siren voices From ne’er do wells and their Hobson’s Choices The die is cast, what more can I do? Baby, I think the world of you....... I wouldn’t change a thing about you I wouldn’t change a thing about you I don’t care what they say I think the world of you.
4.
Maybe I’m young enough, Rich enough, strong enough. And maybe I’ll never know, What it all means. Forever’s so limiting, Considering the state I’m in. Maybe I’ll just fall apart at the seams. Come to me, Run with me, To The Sea of Life And The Knowledge Tree. I want you, I need you. Kaleidoscope travelling, Spinning loose, unravelling. Fragmented, then shattering, And dashed to the floor. Revealed in a dream to me, In a word, a prophesy, A fate worse than destiny, Have I been here before? Comfort me, Long for me, To the Sea of Life, And the Knowledge Tree. I want you, I need you. Where the river starts flowing, There’s no way of knowing I want you, I need you. Come to me, Run with me, To The Sea of Life, And The Knowledge Tree. I want you, I need you. Where the river starts flowing, There’s no way of knowing. I want you, I need you.
5.
Set fair for an English Summer To the coast in the driving rain As luck would have it On a Spring Bank Holiday A23, like a car park There’s a tear-up in the near-side lane Fisticuffs on a Spring Bank Holiday! Said I borrow my brother’s car Fan belt snapped on the hard shoulder Glove box stockings - I’m on my way Part of the fun on a Spring Bank Holiday Take a ride on the rollercoaster Stretch the legs on the Promenade Strawberry Mivvi, or a mint choc chip sundae? I met her by the seafood stall She warmed my cockles and that’s not all Too much to drink, I’m in a two and eight Will I make the starting gate? Easter Sunday to Whitsuntide Saddle up and come for a ride! Nylon sheets, a guaranteed sea view Squint a bit and you’re in Corfu slap and tickle, you have been warned One false move and it’s 3rd degree burns! Set fair for an English Summer Then back to work in the pouring rain As luck would have it On a Spring Bank Holiday
6.
7.
Jane Seymour 04:09
Sometimes I think I’m Jane Seymour Holed up in my Hamptons hideaway Down the colonial staircase In a cloud of organza, taffeta and white lace. Escape through the doors to the terrace And the old philipinos scatter in all directions. They’re the best you know - so deferential To friends and loved ones and relations. But there’s another side to me My brow glows most with sweat You’ve seen me give birth with my feet in the stirrups a hundred times or more And yet my figure just springs back into shape. Ensconced in my luxury show home The pages upon my knee Sometimes I think I’m Jane Seymour How does that feel? But there’s another side to me My brow glows most with sweat You’ve seen me give birth with my feet in the stirrups a hundred times or more And yet my figure just springs back into place. Sometimes I think I'm Jane Seymour
8.
Look away, if you know that it’s true. Provincial girl, she means nothing to you. Working for people in a kiss ‘n’ tell, Just tip your dreams down the wishing well. She could have anything she wants, Green Shield Stamp’s and fancy restaurants. Sun-kissed lovers walking hand in glove, A gilded lily truly from above. Quick silver flashes in the palm of my hand, Then slipping through my fingers like the finest sand. And ringing in my ears like a reprimand, You’ll forgive me for asking..... What’s the world coming to? The old Brigadier would surely never approve. And the wretched Daily Mail says that would never do. What’s the world coming to? Where’s her heart, if not on her sleeve? She plays her part with indelicate ease. Could never tell, was she happy, or sad? Half as good, or merely twice as bad? Cliveden clinches by the fireside, I do my best to quell the incoming tide. Avoiding Ivanov, or Ulysses, It never pays to be too eager to please. Quick silver flashes in the palm of my hand, Then slipping through my fingers like the finest sand. Then shouting from the rooftops like a firebrand. I’d be forgiven for thinking..... So What’s the world coming to? Like a Vicar’s daughter always in the news, Am I the rolling drunk howling at the moon. What’s the world coming to? I’d be forgiven for asking..... What’s the world coming to? You step in something nasty in your brand new shoes. Trousers round your ankles, there’s too much to lose, What’s the world coming to? Look away
9.
High 03:48
Lyrics by Wendon Davis She almost made me cry But I wasn’t a naughty boy. She slammed the door behind me And her picture hit the floor She said that you were out That I shouldn’t waste my time She said there’s so much more I can do in this world So much more I could do with my life She said, ‘now close the curtains And don’t sit down on the fence’. She said, ‘kick back and relax And taste in the pleasures that we spoke of......’ High High Let’s get high! Oh Yeah! High High Let’s get high! One look that said it all, Her calling and her business. An empty house, had to phone a friend, ‘My class she wants to witness!’ Activities were never ending, Dancing and transatlantic flights. She left her man, but not his money On those long Las Vegas nights. She said, ‘now close the curtains And don’t sit down on the fence’. She said, ‘kick back and relax And taste in the pleasures I may have mentioned......’ High High Let’s get high! Oh Yeah! High High Let’s get high! The Preacher there - he looked like a King And a drive-through wedding is the real thing We never knew ‘til one month later When we unwrapped the candles And the cocktail shaker..... She said, ‘now close the curtains And don’t sit down on the fence’. She said, ‘kick back and relax And taste in the pleasures that we spoke of......’ High High Let’s get high! Oh Yeah! High High Let’s get high!
10.
Lyrics by Wendon Davis. I know that you will wait for him In the secret of your memories I know that you will lie for him And if I could I’d wait for you If waiting’s all I had to do And if I could I’d follow you If you walk into these arms They will never walk away I know you said you’d wait for him I said you’d feel the same way I feel about you I love you endlessly If you walk into these arms They will never walk away From you Walk away from you Walk away Walk away from you Oh no darling And if I feel the way you do And if I want the same as you I’d surely have to walk away from you If you walk into these arms They will never walk away Walk away
11.
Make It So 04:13
When Willie sang you’re on my mind - Not fleetingly - but all the time, He knew something. He knew someone. Serendipity, or happenstance? To roll again, or bet the farm? Who are you running to, Or running from? What’s to become of us? I’d really like to know. It’s not enough to feel this way, It doesn’t make it so. Etiquette and epithets, Inspect the range - I’ve got the set. Does that trouble you, As it troubles me? Words and sounds and images, Through England’s towns and villages. Engraved in me Indelibly. What’s to become of us? I think we should be told. Is it enough to say these things? It doesn’t make it so. Is it me in the darkness? Is it you? Or is it me? The hollyhocks and four leaf clover, I stumble through over and over, I ask myself. Have I fooled myself? From first to last and last to first, Lest not a blessing become a curse.... It’s how it plays, And not the hand itself. What’s to become of us? I’d really love to know. It’s not enough to feel this way, It doesn’t make it so.

about

In 2000, little-known ‘60s songwriter, bandleader and arranger, Norman Havelock shuffled off this mortal coil, a largely forgotten man. Through a friend of a friend, I had a vague notion that Norman was ‘something’ in the ‘60s, but it took a house clearance and the discovery of some old demos, acetates and unpublished manuscripts to alert me proper to the great man’s work and influence. Appetite suitably whetted, I went in search of the original recordings, only to hit a brick wall around the time of the great archives fire at Universal in 2008. Undeterred, there was just one course of action: I resolved to round up some of today’s finest musical talents and bring these songs back from the dead. Et, voila! The Friends of Norman Havelock were born! Our first project to bear fruit is this very record - a reimagining of Norman’s great lost concept album, Whimsica Sardonica - itself a veritable almanac of the 1960s, packed with songs that bear uncanny witness to one man's extraordinary personal journey through the shifting sands of the era that was to define him.

credits

released January 14, 2022

Vern Asbury - Lead vocals on 1962/3/4/5/7/8/1970. Backing vocals on 1966
Wendon Davis - Lead vocals on 1969. Backing vocals on 1962/4/7/8/9/1970. Percussion on 1962/4/6/7/9/1970
John Wheatcroft - Acoustic & Electric Guitars on all tracks except 1965
Nigel Price - Guitar on 1965
Dale Davis - Bass Guitar on all tracks except 1965
Ralph Salmins - Drums on all Tracks
Andrew McKinney - Bass Guitar on 1965
Kevin Webster - Piano on 1961/2/3/7/8/1970. Organ on 1960/2/6/8/9/1970
Allesandro Gulino - Piano on 1965
Roberto Pla - Percussion on 1965
Ralph Lamb - Trumpets and Flugel Horns on all tracks except 1964
Andrew Ross - Saxophones and Flutes on all tracks except 1964
Steve Turner - String arrangements on 1961/2/3/7/1970
Strings performed by FILMharmonic Orchestra, Prague®
Adam Klemens - Conductor
Alexandra King - harp on 1963/9
Will Wylde - Harmonica on 1964
Noreen Stewart - Backing vocals on 1963/8
Tahamene Park - Backing vocals on 1963/8
Lara Moorhouse - Backing vocals on 1963/5
Dominic Moorhouse - Backing vocals on 1964/7
Andrew Moorhouse - Vibraphone on 1962/5/7/9, lead vocal on 1961/6 & spoken vocal on 1962
Bruce Marcus - Backing vocals on 1965/1970
Produced by Andrew Moorhouse for MU21C

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The Friends Of Norman Havelock England, UK

In 2000, little-known ‘60s songwriter, Norman Havelock shuffled off this mortal coil, a largely forgotten man.

Now, 21 years later, his creative genius burns ever brighter as The Friends of Norman Havelock re-imagine his work for audiences anew!

11 tunes came to light initially, one per year from 1960 to 1970, acting as a veritable almanac through that most culturally thrilling of decades!
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